Feeling Patrice
December 12th, 2011What makes us who we are? What makes others who they are? These questions are obvious mysteries. I still investigate everyday what makes me who I am and what are the origins that will change what I become later in life. As a comedian I am exposed and the more a comedian grows the more exposed they become. Wearing us on our sleeve, comedians offer more and more clues about themselves to strangers with each new bit, show, performance and idea of what they think is funny.
Being a comedian, I have been able to meet, know and become friends with many others just like me. Some funnier, some less funny, some interesting, some boring, some unique, some bland; but all people. People that live and eventually die. Comedians all have another comedian in their life they “started” with. Weather you come from Cleveland, Chicago, Boston, Detroit, San Francisco or wherever, you didn’t just start doing comedy by yourself you started with someone that felt just like you. Scared, excited, eager, nervous, anxious, full of doubt and fearlessly confident. You’re your own worse critic and best supporter. As in life, we live and die on stage while going from here to there.
This past weekend I was able to work with one of the comedians who I not only met, but got to know and then became friends with. While driving out to the Improv in Brea, CA from LA all weekend with Bill Burr we talked in the car like we always do when we happen to drive anywhere together. Usually it’s about sports, conspiracy theories, our families, or women & mostly how great his is and how interchangeable mine are. But this last voyage was different. I saw the sadness of death from a man brought out by the joy of life. The comedian Bill “started” with had just passed away. He was still healing from the death of Patrice O’Neal, who Bill described as the funniest guy he’s ever known. As distraught as Bill was, his voice was full of joy telling me things about Patrice’s life. He laughed his way through stories of them starting in Boston, festivals they had done overseas and the days and nights they spent in NYC. A story of Patrice calling a british comedian who did his act with a “dummy” may have been the best Bill shared of the many that made me laugh uncontrollably. Bill had just returned days before from New York, attending Patrice’s memorial and was visibly changed by the experience. Telling me things about a time that they “started” together only 20 years before, then days before he was to be 42 years old, Patrice was gone. In a year where Patrice was just really being “appreciated” for his immense talent, his 1 hour special “Elephant in The Room” was introduced to the masses and is and will always be a true comedy piece that is undeniable in talent and creativity.
I met Patrice 7 years ago in NYC through the friendship of Bill. To say I knew Patrice would be exaggerating our acquaintance. We never became friends but we did share an interesting encounter. Ironically I first met Patrice, while I was with the comedian and comedians I “started” with. In NYC as just starting out, wide-eyed comedians, myself, Michael Farrell, Ryan Dalton and Joe Howard went to the Big Apple to see the future of what we’ve chosen so to speak. Bill was able to get us backstage & on the set of the taping of “Tough Crowd” with Colin Quinn. The guests that day were Patrice, Marc Maron, Jim Norton and some guy named Jackie Mason. I was working as a manager at Hilarities Comedy Club in Cleveland at the time trying to make a start in stand-up, absorbing everything I could about the craft and the business. The whole experience of the show was surreal, talking to Colin Quinn and Jackie Mason before the taping will be memories I’ll never forget. Later that night the 4 of us from Cleveland went to watch Bill perform at Caroline’s in Times Square. Patrice was also on the show. I had never seen him before. As I watched, I knew I was witnessing someone and something that had an originality and mind that delivered more than comedy. He was a voice louder than words and bigger than him. He offended, questioned and had answers for both. I instantly went back to Cleveland and said to the booker of the club we need to get this guy. Nobody had really heard of him outside of NYC at the time. I was questioned on his content, style etc.; Hilarities was, an is known to be a more mainstream room with a dinner cliental that loves comedy but is somewhat conservative. So after some skepticism, the club brought him in per my recommendation. Figuring out how to promote him to a Cleveland audience which had not heard of him was a challenge. Hilarities was ok with bringing in offending or dirty comedians so to speak that had built a name or following. Promoting that could be engineered, but a virtual unknown was a difficult sell. Needless to say he was not a fit. After a rough Thursday show he took criticism from the showroom manager going into Friday night. He had 2 shows on Friday with 2 more Saturday and 1 Sunday to come. The first on Friday went better than Thursday but in between shows the manager came with some more criticism on toning down some of the offending although provoking material. Patrice listened, and feeling like he had already compromised, went ahead and showed us all who Patrice was. He was uncompromisable. He did what made him a comedian, he went to work. A small late crowd on Friday seemed to enjoy his pace and point of view early and then about a half hour in to his set he gave his opinion on the war. I can’t recall the exact comment but it struck a chord with an audience member & a back and forth began, shouting and arguing ensued & people began leaving the room. Not everyone, there were still a good amount of audience members enjoying his act. He stayed firm and never fled from his point of view. After he left the stage and the show ended I was called to the office after the show. With the club booker, owner, and showroom manager there, I found myself standing next to Patrice while our club made the decision to fire him with 3 shows still to come. To say it was awkward is an understatement. I was loyal to the club and I felt a loyalty to Patrice at the time for bringing him there. Ironically I was surprised at what was happening. Was it that bad that we had to fire him? I asked myself. He stood taking fire from the “powers that be”, while returning fire himself, as strong as he maintained himself on stage, he never wavered and knew he would never play that club again, but he did it as never compromising himself.
As I went on with my following work week in those days after, & me being in “The Dog House” with my superiors at the club. I reflected on what I learned as a comedian from that. Patrice taught me a lot in that experience, mostly about a comedians’ identity and what makes us who we are. It was a lesson I still take with me. As I walked him to the hotel after that Friday night, apologizing that it didn’t work out, he told me not to worry, he stood over me wearing a Magic Johnson throw back jersey slapped me five and said I’ll see you again sometime. I saw him one more time in NYC some months later, we had a brief chat, laughed at what happened back in Cleveland. We slapped five again and said we’d see each other again… We never did.
As my week with Bill Burr went on in Brea, Bill chose to reflect on Patrice in each show. Telling the audience a short something about how important Patrice was to him. Bill elected not to sell his DVD’s after his shows this weekend passing on possibly making a chunk extra $ for himself, instead pleading to an audience that came to see him, to go and purchase “Elephant in the Room” and to watch the “funniest person” he ever knew. So please, check out “Elephant in the Room” and see what made Patrice O’Neal who he was.
RIP Patrice O’Neal 1969-2011



